Another Side of Soto Zen Buddhism: Sojiji Temple

One of the nice things about meeting blog readers, especially overseas, is that you get to see and learn so many cool things. I was fortunate once again to meet Tokyo expert and blog reader, “Johnl”, who has his own blog now who took me along for a tour of the main head temple of the Soto Zen sect:1 Sōjiji (總持寺) founded by Keizan. Sojiji was actually surprisingly close to where my in-laws live in Kawasaki City. Sojiji is located in Tsurumi district, but as long as you can get to Kawasaki Station, you can easily get to it one stop later on the Keihin Tohoku line, among other options.

But wait, you say! Soto Zen’s head temple, or daihonzan (大本山) is Eiheiji and the founder is Dogen. Doug, what nonsense are you talking about?

Well, Soto Zen’s lineage from China started with Dogen that’s true, and his monaster Eiheiji is the original, true. But Soto Zen underwent a major revival and flourished under a 4th generation disciple named Keizan who studied under two different teachers and was able to greatly popularize the teachings. As this helpful website shows, Keizan was very open to women followers, devotional practices toward Kannon Bodhisattva, and to people at large, while still retaining the essence of Soto Zen. I mention all this because Western Zen converts tend to deify Dogen a little, but if you study the history, most of what we know as Soto Zen now is due in large part to Keizan’s contributions and its accessibility to Westerners is also due in part to Keizen.

So, for this reason, Keizan and Dogen share equal status, but comprise different roles, and their temples (Eiheiji and Sojiji) likewise have equal status as head temples. To be honest, I tend to get a lot more inspired by Keizan than Dogen, but I guess that’s a matter of personality. :p

But enough of that. Getting to the interesting stuff……….the temple itself!

Sojiji has a great website and a great map, though all of it was in Japanese only. I suspect they get a lot fewer foreign travelers than Eiheiji does (despite being a lot more accessible), so there are not that many English language resources. Here’s the main gate or sanmon (三門) which is number 2 on the map:

Sojiji Sanmon Gate

It’s pretty big, though not quite as large as I remember Chion-in being.

Anyhow, Sojiji is a huge property so we went right to the reception area (number 3 on the map) and there we registered for a tour that runs a few times a day. It was ¥400 per person ($4.50) which was really cheap considering how great the tour was. We had to wait for the 11am tour, so we spent some time in the gift shop next door. I got some gifts and another copy of the Heart Sutra (I like collecting them from various temples).

Our tour guide was a nice older woman in her 60′s. She was relieved that we could speak Japanese, though honestly John’s Japanese is way better than mine. I only understood the tour here and there, but she was wonderfully nice and very easy going. Turns out she was a student at Sojiji’s parochial school and spent many times in her youth in the meditation classes. She mentioned it was cold in the meditation hall, but she said she had enjoyed it.

Also, before we started the tour, we stopped at the bathroom in the reception area, where we saw this excellent statue:

Sojiji Toilet Deity

It took half the night to figure out who this was online, but it turns out to be an esoteric Buddhist figure named Ususama Myō-ō (OnMark Production has more info). Essentially he is, among other things, a guardian figure for restrooms in Japan.2

Anyhow, once the tour was underway, our first stop was at the famous hyakken rōka (百間廊下) which I think means something like “hundred spaces corridor” or something like that. It’s number 21 on the map and runs all the way across Sojiji. It’s quite long:

Also, the floor has two halves: one is raised and cleaned regularly (more on that later), while the other is more on the ground. It’s also broken up at some points so people can pass through, but also leads to other buildings. This is the Karamon gate (number 22 on the map):

Sojiji Karamon Gate

This gate, similar to other “karamon” gates found at other Buddhist temples, is intended for special use for visits by the Imperial family or other noble families (e.g. Fujiwara), or their messengers. A similar gate was at Nishi Honganji.

Also, from the same spot, you can look north to see the Buddha’s Hall as well (number 12 on the map):

Sojiji Butsuden Hall

Here we stopped and bowed to Shakyamuni Buddha, the great sage, who is enshrined there, and moved on. At the end of the hall was an area dedicated for monastic training. Here were several rooms, some of which were not allowed to go into, but we were allowed to visit the meditation hall itself (number 15 on the map). This was actually comprised of two rooms, which rows of meditation cushions like so:

Sojiji Meditation Cushions

or with desks like so (which I think the tour guide said were intended for reading or study):

Sojiji Meditation Cushions 2

As the website’s link shows, this room also had a huge image of Kannon Bodhisattva in the middle with a person on each side holding their hand up to receive water (symbolizing Kannon’s wisdom pouring down). It was really interesting to see and imagine what the training must be like (I’ve never attended any meditation training in my life).

From there we went north along another hall:

IMG_2481

Here’s me facing back where we came. On the right is a small staircase which leads to the bell tower (number 14 on the map), which we didn’t see. We did come to the end of this hall which led up to some stairs and a great big hall, the hōkōdō (方光堂, number 13 on the map) which has an altar devoted to Keizan himself. The tour guide stated we were welcome to take photos in most places, though not of monk’s faces. For some reason, old habits from other temples (where photos of the central figure are discouraged), made me hesitate, so I didn’t take a photo. As the website link shows, it’s a very colorful room, and the back walls had rows upon rows of ihai funeral tablets like the ones shown here. I believe the tour guide also mentioned that it’s frequently used for weddings and funerals.

From the other hand of this hall we descended into an underground tunnel:

IMG_2483

This was a very interesting place to visit because along the walls were photos of the daily lives of Soto Zen monks, and details explaining various aspects like the sutra changing, begging for alms, bathing routines, etc. Again, I really wanted to take photos, but hesitated out of respect of the temple. Most of the routine was pretty much the same as explained here for a Rinzai Buddhist temple.

Once we finally emerged from the tunnel, we came to a kind of reception area:

IMG_2484

Because it’s the 100th year anniversary since Sojiji moved to its present location, there were a lot of signs and historical photographs. We spent a lot of time here and ascended the stairs to the main Founder’s Hall (number 10 on the map) or daisōdō (大祖堂). This seemed like a much bigger version of the Hōkōdō we had just come from, and similarly had a central altar devoted to Keizan, and also many ihai tablets. We paid our respects again and moved to the other end of the hall, where we came to another hallway:

Sojiji floor cleaning

Apparently, the monks who do the daily floor cleanings start here. They get a wet rag, and run along one beam of the floor, pushing their rag in front of them. Another monk would start soon after, and run along the next floor beam, and so on. When they get to another room or something gets in the way, they simply went over it and kept going. You can see something similar on this video (minute 1:47). It seems like that’s really hard for one’s back to constantly do this.

From there we came to a pair of rooms, one on each side of the hallway, which were very pretty:

IMG_2494

This was one room:

Sojiji Public Room

In a smaller room in the back was this famous painting of a black and white dragon, which I am sure I’ve seen before, though I can’t find online now. That room also had several portraits of past abbots of Sojiji. The other room looked like so:

Sojiji Bodhidharma 2

In the middle is a painting of Bodhidharma, the semi-legendary Zen figure, though we were told that this painting was unusual because he’s standing rather than sitting in meditation. These rooms, number 7 on the map, are part of the shiuntai (紫雲臺) which is explained as the abbot’s quarters, and used when meeting with lay people, temple supporters, etc.

Further down the hallway, and the last leg of our tour was this view of the garden:

Sojiji Garden

Suffice to say, I was really impressed with my time at Sojiji. It really helped to give me a much fuller picture of Zen, particularly Soto Zen, than what you normally see in Western media. What I saw there was a real community of people, lay and monastic, working together to preserve a venerable tradition without the usual “noise” I see from Western Zen communities. The combination of stories from the tour guide, seeing the young monks bustling about, plus the community as a whole made me appreciate the human side to Soto Zen that gets lost in English language Zen books that tend to mystify things ad nauseum. I don’t doubt that Sojiji as a main temple has plenty of scandals and politics, but that’s part of being human.

Anyway, thanks to “Johnl” for the excellent tour, and the much needed exposure to Zen in a very different context.

P.S. I feel like I should break this post up into two, it’s quite long, but I didn’t want to stop the flow.

P.P.S. John and I also visited Yokohama’s Chinatown later that day but I want to save that as a separate post.

1 Also, in Japanese language, Soto Zen is usually not called “zen”. It’s called sōtōshū (曹洞宗) which means “Soto School/Sect”, similar to how other Buddhist sects are always referred to as sh? (i.e. Jodo Shinshu, Jodo Shu, Nichrenshu, etc). Likewise, Rinzai Zen is called rinzai shū (臨済宗). Just saying.

2 A great article in the Japan Times about the toilets and Japanese culture. The ending proverb is also a good indication of restaurants and their overall hygiene when you think about it.


This, too, is KPop

KPop has been kind of a global hit in the last 10 years, and has been a frequent subject of this blog, but it’s also good to know its more humble origins:

This is a famous song called “Itaewon Freedom”, celebrating a famous district in Seoul that is more open for the gay community (hence the “freedom”). It clearly predates the current KPop fad. :)

Also, the singer in the middle is J. Y. Park who is now a big music mogul in KPop (namely JYP Entertainment), and the force behind such groups as Wonder Girls, 2PM, 2AM and Rain.

And now whenever you hear the phrase “Itaewon Freedom”, now you’ll now. You probably didn’t care either, but hey, you learn something everyday.

All credit goes to Eat Your Kimchi for finding this, who ironically also had a great discussion recently on homosexuality in Korea (which I think applies similarly to Japan as well).

And wheeeeerrrrrreeeee iiiiiiisssssss Namsan Tower anywayyyyyyyy?


Happy 8th Anniversary, Baby!

Hi Honey,

It’s been 8 fun years together as husband and wife, and since you’re in Japan1 enjoying sunny weather while we’re here in Seattle stuck in a snow-storm, I thought you might enjoy this video from Kinki Kids that seemed fitting somehow. :)

Anyhow, from your Scottish-wannabe husband:2

Wedding Day

Happy Anniversary!

P.S. I like Kō-chan better than Tsuyoshi. Just kidding. ;p

1 For readers: wife is staying in Japan a few extra days for a friend’s wedding. Plus she’s a Kinki Kids fan. :)

2 I actually did find the right tartan for my family ancestry. I’d be super impressed if you can name the clan (no cheating if you know me in person).


Day 3 of 2012: Meiji Shrine in Tokyo

In case anyone thought I forgot about this after coming back to the US, let me talk about my visit to Meiji Shrine on the third day of Japanese New Year. The first day, for hatsumode we visited Kawasaki Daishi, a local Buddhist temple, but it was so insanely crowded that we didn’t have much of a chance to explore and take care of spiritual matters for the year. So, my wife thought we should go to Meiji Shrine to make up for it (that and we haven’t been there in 6 years :) ), so we went.

Like all major Shinto Shrines and Buddhist Temples, it was still super crowded for the first week of the new year. Here’s us on the bridge crossing from Harajuku ward to the shrine:

Meiji Shrine Entrance

My wife, on the right, is sporting a nice, new haircut for 2012. On the left you can see people holding yellow signs. These were the same Christian proselytizers we also saw at Kawasaki Daishi by the way, and often see at downtown Shibuya Ward.

If you looked to the right, you can see hordes of people coming to Meiji Shrine from the Harajuku train station:

Meiji Shrine Entrance, Harajuku Station

Anyhow, here’s the outer gate or torii for the shrine:

Meiji Shrine Torii Gate

Shinto shrines have torii gates, while Buddhist temples have sanmon (山門) gates typically (in case you were wondering). Also, one think I liked was that outside the outer gate, there were blood donation (kenketsu 献血) stations setup so people could volunteer to the local Tokyo blood bank. I really thought about donation myself since I regularly do it in Seattle, and from Japan’s perspective, minority blood supplies are rare. However, I came with my wife and daughter and didn’t want to hold things up.

As I read in Reader and Tanabe’s Practically Religious, Buddhist temples and Shinto Shrines in Japan put a lot of focus on contemporary social issues, rather than focus on doctrinal issues, and so while some mistake this for a sign of degeneracy, seeing something like blood donation stations outside of Meiji Shrine is both practical and a sign that critics may need to think again.

Anyhow, after we got through the outer gate, we followed the crowd for a while, thinking that we would avoid a long line this time, until we got about halfway through the shrine. Then the crowd came to a halt. Here we stood in line for a long time, like we did at Kawasaki Daishi, moving, stopping, and moving again:

Hatsumode at Meiji Shrine

Up ahead is the inner gate of Meiji Shrine. Along the way, we saw lots of signs and billboards about the life and times of Emperor Meiji, including this interesting one:

Meiji Shrine sign

Interestingly, you can see Lafcadio Hearn (a.k.a. Koizumi Yakumo in Japanese 小泉八雲), one of my favorite authors on the upper-left. Ireland has no lack of superb authors. :)

Anyhow, through the inner gate it was more of the same: standing, moving, standing, moving until at last we reached the inner sanctum where Emperor Meiji is enshrined. Here, they had setup a large barrier and people simply tossed a coin into the space behind the barrier and said their respects:

Meiji Shrine Inner Sanctum

My daughter loves to do this kind of thing, so she took a handful of coins from my hand, and tossed them at the barrier. Amazingly, all of them hit the edge of the barrier and bounced in. It was really cool to watch, I wished I had managed to record it. ;p

Anyhow, from there my wife went and got some charms for protection this year. She got a special one because she’s having a Yakudoshi year, in the form of a hamaya (破魔矢) arrow:

Meiji Shrine Demon Banishing Arrow

Anyhow, once we completed our purchases, we left and along the way back we found a huge eating area with lots of tents and such. We got some some jagabatā (ジャガバター), which is basically the Japanese word for mashed potatoes with butter:

Japanese mashed potatoes

These were really good, but we had a scary incident while waiting in line. The food stall was cooking the potatoes inside a huge steamer which had stacks of palettes on it (with potatoes between them). While we waited for our potatoes, they were changing the palettes for another batch, when the entire stack collapsed in my daughter’s direction. Luckily I caught it just in time because it would have crushed my little girl and scalded her at the same time. It took three of us to fix the stack, it was really heavy and I could barely hold onto it myself. Meanwhile we were too stunned to say much, and they were eager to get us out of there. Now that I think about it, I should have really yelled at them, but then again it was an accident and no one intended anything bad. Plus, thankfully nothing actually happened. Still I hate to think of the alternative.

Oddly enough, the next day, I noticed that the omamori I purchased at Kawasaki Daishi a couple days before had a broken string. Although I don’t take superstition very seriously, I do wonder if the omamori had done its job in protecting my daughter… or maybe it was a coincidence and the omamori charm had been shoddy quality. That’s the trouble with superstition I guess.

Anyhow, we fought through more lines, fought our way to Harajuku Station and made the long trek home. :)


Getting Used to American Portions Again

So now that I have been back in the US for a couple days, I already have to re-adjust to American portion sizes again. There’s a joke in Japanese about amerika saizu meaning “American size” and now that I realize how true this phrase is.

We ate Friday night at a Japanese restaurant here in Seattle and I ordered ramen. Halfway through the meal I was already full and it was hard to finish the meal. To be honest, I had eaten some appetizers before, but at the same restaurant, I remember finishing the same meal (plus appetizers) and still being hungry and that was before I went to Japan.

This kind of thing happens every time I go to Japan: at first, I am hungry all the time because the portions are so small (as shown here in a recent visit to the KFC in Shibuya Ward in Tokyo):

KFC in Japan

…but then my body adjusts to it, and I find the meals more satisfying. My stomach even gets smaller. But then when I get back to the US, the portion sizes are too big, and I have trouble finishing. Then after a few weeks, I adjust to them again and my stomach gets bigger.

A friend I met in Japan told me that when he moved there, he lost about 10 kilograms after the first few months, but adjusted just fine. This friend is from Europe, not in the US, and in my experience living in Ireland, portions sizes are a little smaller than the US, though not quite as small as Japan. So, if he can adjust to smaller portion sizes and lose weight, imagine how much I would lose if I could adjust.

The problem with obesity in the US is simple: culturally, the portion sizes are TOO GODDAMN BIG. But it’s a cultural phenomenon, so it’s hard to notice it until you live somewhere else.

But it wasn’t always this way. In our grandparents’ generation, they ate the same food we did, but just smaller portions of it. What’s considered “small” now was normal then, or even generous. Gradually we’ve become adjusted to bigger and bigger portions. To accommodate this, the food quality suffered as portions increased. That’s why American food tastes like crap, while the portion sizes are so big. And because the portion sizes are so big, your stomach stretches and gets used to it, so when you do eat smaller portions, you feel hungry even though you had enough calories and nutrition.

I don’t want to live like this anymore. Knowing what I know now, I cant believe I ate the amount of food I did before. It was disgusting. It’s not even necessary! If you’re 40 pounds overweight like I am,1 you don’t have to live like this.

While staying in Japan for the past few weeks, I ate the same food (more or less) that I did in the US, but it tasted better and was much more satisfying, even though I ate less. But now that I am back in the US, it’s hard to avoid large portions, because even healthy food is served that way.

Instead, we as Americans have to make a collective effort with our wallets, our spending habits, and our eating habits to demand smaller portions, and better quality food. Business responds to demand (or rather the Law of Supply and Demand), so if you change your habits, they will change theirs’ and the culture changes as a result.

As for me:

  • I will never order anything bigger than a “tall” coffee. Grande is called “big” for a reason, it’s really big.
  • Better yet, I am gradually trying to phase out coffee altogether for tea. More on that in a later post. Those espresso drinks are full of calories, and I don’t like black coffee very much (nor does it have the health benefits of tea anyway).
  • If your restaurant meal is big enough to have leftovers to take home, it’s too big. I will be ordering smaller meals at restaurants. If need be, just eat appetizers.
  • I will eat one slice of toast, not two for breakfast.
  • One cup of cooked rice at home is enough, not 2 or 3.

As I said, I really don’t want to go back to old eating habits anymore. I am tired of it, and it’s bad for my body anyway, so I really want to maintain the portion sizes I adapted to in Japan as much as possible here.

1 40 pounds overweight is probably the new “normal” in American society. That’s really depressing when you think about it. Just because being fat is “normal” doesn’t mean it’s healthy, or even attractive to look at. Sorry, but it’s true.


Here Today, Gone Tomorrow

While staying in Japan, I watched NHK’s nihongo de asobo which is this wonderful children’s show on Japanese TV that I’ve mentioned a few times before, and covers obscure, traditional aspects of Japanese culture to a younger generation.

In each episode there is usually a theme or lesson in the form of a famous text, or a popular phrase. In this one phrase was the proverb:

去る幸せは追わず、 saru shiawase wa owazu
来る幸せは歓迎する。 kuru shiawase wa kangeisuru

The phrase basically means that there are times when your luck leaves you, and when it does, it’s not worth following. Let it go. The second line also says that there are times when luck comes to you, and when it does, welcome it with a sincere, humble attitude (see line 1 as to why, in case you forgot ;) ).

Once again, I am amazed at this show and its subtle, Buddhist tones. :)

P.S. Double post today, unintentionally.


T-ara’s Awesome Footwork

Yet another KPop group I’ve come to enjoy lately1 is T-ara (티아라, sounds like “tiara”), but I found this video particularly interesting because it shows them practicing in the dance studio. No alluring costumes, lighting effects, etc. Just them dancing in plain view, and if you watch, that’s some really amazing footwork (complete with a Moonwalk or two):

The song Lovey Dovey is highly addicting, and you can see the finished product here:

Anyway, going back to the original video, it’s just amazing how physically exerting that dance is. You can hear them at the very, very end breathing heavily. Seeing it in the studio like this really makes you appreciate what singers and dancers do to prepare for shows and such.

Also, I wish I was that young again. I get tired just running to the end of the block. ;p

P.S. A good example “from the guys” is Teen Top’s “Crazy“, which has a lot of cool little shuffles that go along with a very catchy song.

1 They’re not my favorite, as I am not too interested in “dance club” type music, but I do love their energy. Also, seeing so much young talent coming up with innovative dances and music makes me glad to get older in a way because it means that the music industry isn’t locked into the same music I listened to 20 years ago.


Do It Yourself Buddhist Temple

Hi all,

Been super busy this past week. I’ve been doing lots of things, meeting friends and blog readers, and generally getting lots of good photos, pamphlets and such. For this reason, I have totally fallen behind on the travel adventures, and I am heading back to Seattle tomorrow. So, I will have to finish typing them up when I get back and settled.

In the meantime, I wanted to share something amusing. My daughter comes with me on a lot of Buddhist temple visits, and she loves to put coins in the donation boxes or saisen bako (賽銭箱). They typically look like so:

Saisenbako

So my daughter thought it would be fun to make one of her own:

This is a stool at my in-laws’ house with a Disney bucket underneath to collect the money. She called this her otera (お寺) or Buddhist temple. She insisted we put money in there because the Buddha was cold and needed a new jacket. Otherwise, he would get covered in snow. I think that idea was inspired by the famous story of “Hats for Jizo Bodhisattva” mentioned in this old post.

It’s funny how children perceive religion. :)

Update: my daughter already received ¥3000 in donations, mostly from her grandparents. ;-)


Heike And Genji: Making the Big Screen

Genpei kassen 2

Recently, while visiting NHK’s studio park recently, I was excited to see that they were making a new drama about the Genpei War, the famous war between the Genji and Heike clans. In Western textbooks, they’re usually called the Taira and Minamoto clans, but this isn’t quite right (it’s not quite wrong either ;) ). Taira and Minamoto are the actual clan names, but in Japanese language they’re usually called Heike (平家, “Taira Clan”) or Genji (源氏, “Minamoto Clan”), based on the Chinese-style readings of the characters.

Anyhow, the reason I am so excited is that while Japan has a lot of historical dramas or jidaigeki they’re usually focused on the much later Sengoku Period or Edo Period, and the samurai of that era. That’s what most Westerners know of Japanese history as a result. But I have a big interest in the Heian Period, and the Genpei War which ended it. At the NHK studio, the characters were featured in costume, which was really interesting to see. I’ve talked about Heian Period fashion before (here too), but it’s interesting to see it on TV.

As a teaser for the drama, they’ve provided a look at some of the characters up close. For example, here’s the profile for Minamoto no Yoritomo and his wife Hōjō Masako. I thought Minamoto no Yoritomo’s style very interesting and very emblematic of elite members of the old Heian Court.

Also, for the page on the Cloistered Emperor, Go-Shirakawa, in his later years as a Buddhist monk. At this time, it was common for Emperors, trapped by the Fujiwara clan and other groups, to retire as Buddhist priests where they could exert influence, but without the traps at the Heian Court. These were called “cloistered emperors” or hōō (法皇). Go-Shirakawa was a good example of this, and it’s interesting to see the Buddhist robes of a nobleman. During the Heian Period, monks from noble families retained a lot of political clout and could rise to high administrative positions (abbots, dharma masters, etc) in elite Buddhist monasteries, while monks from more humble backgrounds may be relegated to more menial roles their whole life unless they were particularly talented.

Also on the same page as Emperor Go-Shirakawa is Lady Gion (gion no nyōgo 祇園女御), his mistress in his later years.1 Again, it’s really interesting to see costumers from that period, and how elegant ladies were at that time. For example, notice how the hairstyle is very different than that associated with Japanese women in later medieval periods, or with geisha.

Anyhow, the drama started broadcasting on the 8th, so it started already. I for one plan to watch an episode or two at least before heading back to the US. Hopefully I can continue watching it from there via TV Japan. :)

1 It was a poorly-kept secret that many such elite monks in the Buddhist community had secret wives, mistresses and such. This was indeed a sign of the monastic discipline at the time.


Shadow Boxing To An Extreme: Kagemu

Recently a friend, “B”, showed me a video by a Japanese performing artist, using lots of clever light and choreography. Turns out it’s actually a pretty famous act called Kagemu (カゲム) featuring a pair of men: Hanabusa Nobuyuki who designs the animation and Sakakura Katsumi who does the dance/fighting. Katsumi is 48 years old as of writing, but it’s hard to notice. :)

Every year in Japan just after New Year, there is a TV show which brings talent from around the world to perform, and get rated by judges in the form of how much money they would pay to have them do a show. This was Kagemu’s performance last year (2011) for that show. Ignore the :

And earlier this week, they did a new performance on the same show:

Pretty amazing to watch. It’s just “smoke and mirrors”, so to speak, but it is pretty imaginative. Enjoy and Happy Friday! :)

P.S. Ignore the bad English at the beginning of each clip. You see that a lot on Japanese TV, and just get used to it after a while. :p I suppose it’s no worse than some of the stupid stuff you see on American TV.


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